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（Last updated : 2025-06-30 14:50:33）
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■ Academic Background
| 1. |
1992/10～1993/12 |
〔Doctoral Course〕, Science de Textes et Documents, Université Paris 7, DEA |
| Period | 1992/10～1993/12 | | School Type | Postgraduate School | | Location | Paris, France | | School or University | Université Paris 7 | | Department | Science de Textes et Documents | | Degree Course | Doctoral | | Completion Type | Other | | Date of Receiving Degree | 1993/12 | | Degree Obtained | DEA | | Approved by | Course | | Title of Thesis | Étude comparaive des 'Fleurs du Mal' entre l'édition de 1857 et celle de 1861 | |
| 2. |
1988/04～1991/03 |
French Language and Literature, Graduate School, Division of Humanities, The University of Tokyo, Accomplished credits for doctoral program |
| Period | 1988/04～1991/03 | | School Type | Postgraduate School | | School or University | The University of Tokyo | | Department | Graduate School, Division of Humanities | | Course, Major | French Language and Literature | | Completion Type | Expired with Credits Obtained | |
| 3. |
1983/04～1988/03 |
French Language and Literature, Graduate School, Division of Humanities, The University of Tokyo, Completed |
| Period | 1983/04～1988/03 | | School Type | Postgraduate School | | School or University | The University of Tokyo | | Department | Graduate School, Division of Humanities | | Course, Major | French Language and Literature | | Completion Type | Finished | |
| 4. |
1977/04～1983/03 |
Major in French Language and Literature, Faculty of Literature, The University of Tokyo, Graduated |
| Period | 1977/04～1983/03 | | School Type | University | | School or University | The University of Tokyo | | Department | Faculty of Literature | | Course, Major | Major in French Language and Literature | | Completion Type | Graduated | |
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■ Professional Background
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1. |
2024/04～2027/03 |
Tokunin Kyoju (Professor by Special Appointment), Division of Arts and Sciences, College of Liberal Arts, International Christian University |
| Period | 2024/04/01～2027/03/31 | | Employer | International Christian University | | Department | College of Liberal Arts Division of Arts and Sciences | | Position | Tokunin Kyoju (Professor by Special Appointment) | |
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2. |
2020/04～ |
President, President, International Christian University |
| Period | 2020/04～ | | Employer | International Christian University | | Department | President | | Position | President | |
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3. |
2019/04～2020/03 |
Dean of the College of Liberal Arts, International Christian University |
| Period | 2019/04～2020/03 | | Employer | International Christian University | | Position | Dean of the College of Liberal Arts | |
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4. |
2018/09～2019/03 |
Director, Comparative Culture Program, Graduate School of Arts and Sciences, International Christian University |
| Period | 2018/09～2019/03 | | Employer | Graduate School of Arts and Sciences, International Christian University | | Position | Director, Comparative Culture Program | |
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5. |
2017/04～ |
Faculty Council, Member of the Faculty Council of International Christian University |
| Period | 2017/04～ | | Employer | Member of the Faculty Council of International Christian University | | Position | Faculty Council | |
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6. |
2016/09～2017/03 |
Chair of the Department of Humanities, International Christian University |
| Period | 2016/09～2017/03 | | Employer | International Christian University | | Position | Chair of the Department of Humanities | |
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7. |
2013/04～2015/03 |
Member of the Faculty Counsil, International Christian University |
| Period | 2013/04～2015/03 | | Employer | International Christian University | | Position | Member of the Faculty Counsil | |
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8. |
2011/04～2013/03 |
Director, Admissions Center, International Christian University |
| Period | 2011/04～2013/03 | | Employer | International Christian University | | Position | Director, Admissions Center | |
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9. |
2010/04～2011/03 |
GS Program Director,, Graduate School of Comparative Culture, International Christian University |
| Period | 2010/04～2011/03 | | Employer | Graduate School of Comparative Culture, International Christian University | | Position | GS Program Director, | |
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10. |
2010/04～2010/08 |
Chair, Dept. of Literary Studies, International Christian University |
| Period | 2010/04～2010/08 | | Employer | Chair, Dept. of Literary Studies, International Christian University | |
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11. |
2009/04～2024/03 |
Professor, Division of Arts and Sciences, College of Liberal Arts, International Christian University |
| Period | 2009/04/01～2024/03/31 | | Employer | International Christian University | | Department | College of Liberal Arts Division of Arts and Sciences | | Position | Professor | |
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12. |
2009/04～2010/03 |
Chair, Graduate School of Comparative Culture, International Christian University |
| Period | 2009/04～2010/03 | | Employer | Chair, Graduate School of Comparative Culture, International Christian University | |
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13. |
2007/04～2009/03 |
Professor, , College of Liberal Arts, International Christian University |
| Period | 2007/04/01～2009/03/31 | | Employer | International Christian University | | Department | College of Liberal Arts | | Position | Professor | |
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14. |
2007/04～ |
Professor |
| Period | 2007/04～ | | Employer | Professor | |
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15. |
2007/04～2008/03 |
Chair, Division of Humanities, International Christian University |
| Period | 2007/04～2008/03 | | Employer | Chair, Division of Humanities, International Christian University | |
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16. |
2003/04～2007/03 |
Assistant Dean, College of Liberal Arts, International Christian University |
| Period | 2003/04～2007/03 | | Employer | Assistant Dean, College of Liberal Arts, International Christian University | |
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17. |
2001/04～2007/03 |
Associate Professor, , College of Liberal Arts, International Christian University |
| Period | 2001/04/01～2007/03/31 | | Employer | International Christian University | | Department | College of Liberal Arts | | Position | Associate Professor | |
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18. |
2001/04～2007/03 |
Associate Professor |
| Period | 2001/04～2007/03 | | Employer | Associate Professor | |
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19. |
1996/04～2001/03 |
Assistant Professor, , College of Liberal Arts, International Christian University |
| Period | 1996/04/01～2001/03/31 | | Employer | International Christian University | | Department | College of Liberal Arts | | Position | Assistant Professor | |
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20. |
1996/04～2001/03 |
Assistant Professor (in old system), Assistant Professor (in old system) |
| Period | 1996/04～2001/03 | | Employer | Assistant Professor (in old system) | | Position | Assistant Professor (in old system) | |
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21. |
1995/04～1996/03 |
Assistant, Monbu-kyokan, Graduate School of Humanities, University of Tokyo |
| Period | 1995/04～1996/03 | | Employer | University of Tokyo | | Position | Assistant, Monbu-kyokan, Graduate School of Humanities | |
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22. |
1994/04～1995/03 |
University of Tokyo (Assistant, Monbu-kyokan, Faculty of Letters ) |
| Period | 1994/04～1995/03 | | Employer | University of Tokyo (Assistant, Monbu-kyokan, Faculty of Letters ) | |
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■ Present Specialized Fields
| European literature (Key Word：Novel,Theatre,Baudelaire,Modern and Contemporary Poetry,French Literature)
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■ Books and Articles
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1. |
Book |
Chrysalis and Imago : poetics of Baudelaire (Single) 2006/08 |
| Language | Japanese | | Publication Date | 2006/08 | | Type | Scholarly Book | | Title | Chrysalis and Imago : poetics of Baudelaire | | Contribution Type | Single Work | | Publisher | Shinsui Editions | | Total page number | 382 | | Details | Monography on Charles Baudelaire's poetry. | |
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2. |
Book |
''Point Culture Théâtre français '' in French II ( '24), The Open University of Japan. 2024/03 |
| Language | Japanese | | Publication Date | 2024/03 | | Type | Textbook | | Title | ''Point Culture Théâtre français '' in French II ( '24), The Open University of Japan. | | Contribution Type | Other | | Journal Type | Japan | | Publisher | The Open University of Japan | | Total page number | 292 | | Responsible for | p. 131-135. | | Author and coauthor | Aki TAGUCHI | | Details | Column in the textbook French II ( '24) published by The Open University of Japan. | |
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3. |
Book |
Une curieuse egalite fraternelle Baudelaire Poetry and Art (Collaboration) 2023/03 |
| Language | Japanese | | Publication Date | 2023/03 | | Type | Scholarly Book | | Invitation | With invitation | | Title | Une curieuse egalite fraternelle | | Contribution Type | Chapter Contribution | | Journal | Baudelaire Poetry and Art | | Journal Type | Japan | | Publisher | Editions Suisei-sha | | Total page number | 353 | | Responsible for | in Part III, Baudelaire's Poetics | | Author and coauthor | Shoichiro Iwakiri | | Details | The article analyses how the energy and violence works in the conception of equality in Baudelaire's poetics. | |
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4. |
Book |
Pierre Bourdieu (dir.), La Misère du monde (Éditions du Seuil, 1993). (Collaboration) 2019/12 |
| Language | Japanese | | Publication Date | 2019/12 | | Type | Scholarly Book | | Title | Pierre Bourdieu (dir.), La Misère du monde (Éditions du Seuil, 1993). | | Contribution Type | Joint Translation | | Journal Type | Japan | | Publisher | Éditions Fujiwara-Shoten | | Total page number | 1533 | | Author and coauthor | Supervised by ARAI Fumio and SAKURAMOTO Yoichi. | | Original author(s) | Pierre Bourdieu | | Details | Japanese translation of Bourdieu's sociological work. | |
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5. |
Book |
Albert Camus, Le Malentendu. Higeki-Kigeki (Tragedy Comedy) 2018 (November)(795),pp.110-141 (Single) 2018/11 |
| Language | Japanese | | Publication Date | 2018/11 | | Type | Book (Other) | | Invitation | With invitation | | Title | Albert Camus, Le Malentendu. | | Contribution Type | Single Translation | | Journal | Higeki-Kigeki (Tragedy Comedy) | | Journal Type | Japan | | Publisher | Hayakawa Shobo | | Volume, Issue, Pages | 2018 (November)(795),pp.110-141 | | Total page number | 32 | | Details | New translation of Albert Camus' Le Malentendu, based on the scenario for its representation at the New National Theatre (Japan) in October 2018. | |
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6. |
Book |
'French drama:translation and making of scenario', in H. Sawada (dir.), Learning the Stage Art. H. Sawada (dir.), <I>Learning the Stage Art</I> pp.221-253 (Collaboration) 2018/03 |
| Language | Japanese | | Publication Date | 2018/03 | | Type | Scholarly Book | | Invitation | With invitation | | Title | 'French drama:translation and making of scenario', in H. Sawada (dir.), Learning the Stage Art. | | Contribution Type | Chapter Contribution | | Journal | H. Sawada (dir.), <I>Learning the Stage Art</I> | | Journal Type | Japan | | Publisher | Sophia University Presse | | Volume, Issue, Pages | pp.221-253 | | Total page number | 338 | | Responsible for | ch.4, French Drama | | Details | Book on Opera, Ballet, Dansce, Musical and Theatre. | |
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7. |
Book |
Giraudoux, La Guerre de Troie n'aura pas lieu. (Single) 2017/09 |
| Language | Japanese | | Publication Date | 2017/09 | | Type | Book (General) | | Title | Giraudoux, La Guerre de Troie n'aura pas lieu. | | Contribution Type | Single Translation | | Journal Type | Japan | | Publisher | Hayakawa Shobo | | Total page number | 189 | | Details | Translation and Introduction (in form of postface) | |
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8. |
Book |
« The Chrysalis Stage of Memory in Baudelaire », in :Tamogami (dir.), Fragments & Wholes : Thoughts on the dissolution of the human mind. (Collaboration) 2013/09 |
| Language | English | | Publication Date | 2013/09 | | Type | Scholarly Book | | Title | « The Chrysalis Stage of Memory in Baudelaire », in :Tamogami (dir.), Fragments & Wholes : Thoughts on the dissolution of the human mind. | | Contribution Type | Chapter Contribution | | Publisher | Editions L'improviste | | Responsible for | 115-132 | | Details | Analysis of fonctions and aspects of Memory in Baudelaire's poetics. | | ISBN | 978-2-913764-56-9 | |
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9. |
Book |
'Between Sens and Taste', in Ebine (dir), Japanese Literature in Foreign Cultures (collection Aurion, 11) (Collaboration) 2013/01 |
| Language | Japanese | | Publication Date | 2013/01 | | Type | Scholarly Book | | Invitation | With invitation | | Title | 'Between Sens and Taste', in Ebine (dir), Japanese Literature in Foreign Cultures (collection Aurion, 11) | | Contribution Type | Chapter Contribution | | Journal Type | Japan | | Publisher | University of Shirayuri / Kogakusha editions | | Details | The article examines what constitues the essential element at the moment of the establishment of a new genre in literature. | |
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10. |
Book |
'Sens of Life : Love, Nature and Everyday life', in A. Morimoto (dir.), What is the Proprium of Human being ? (Collaboration) 2011/03 |
| Language | Japanese | | Publication Date | 2011/03 | | Type | Scholarly Book | | Invitation | With invitation | | Title | 'Sens of Life : Love, Nature and Everyday life', in A. Morimoto (dir.), What is the Proprium of Human being ? | | Contribution Type | Chapter Contribution | | Journal Type | Japan | | Publisher | Sobunsha editions | | Responsible for | 234-259 | |
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11. |
Book |
'Poetry of cupboard : position of Guillevic', in Tsukamoto (dir.), What is Avant-Garde? What is Rear Gard ? (Collaboration) 2010/04 |
| Language | Japanese | | Publication Date | 2010/04 | | Type | Scholarly Book | | Invitation | With invitation | | Title | 'Poetry of cupboard : position of Guillevic', in Tsukamoto (dir.), What is Avant-Garde? What is Rear Gard ? | | Contribution Type | Chapter Contribution | | Journal Type | Japan | | Publisher | Heibon-sha editions | | Details | The article examines a poetical fonction of the image of 'drawer' and 'cupboard' in the poetics of Flaubert and Guillevic, in order to clarify the poetical position of Guillevic, put in the conceptual perspective of 'avant-garde' and 'rear-guard', and in relation with Baudelaire and Rimbaud. | | ISBN | 978-4-582-70282-8 | |
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12. |
Book |
Albert Camus, Caligula. (Japanese translation and Presentation) (Single) 2008/09 |
| Language | Japanese | | Publication Date | 2008/09 | | Type | Book (General) | | Title | Albert Camus, Caligula. (Japanese translation and Presentation) | | Contribution Type | Single Translation | | Publisher | Hayakawa Shobo editions | | Total page number | 180 | |
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13. |
Book |
René Girard, Je vois Satan tomber comme un éclair (Japanese translation) (Single) 2008/08 |
| Language | Japanese | | Publication Date | 2008/08 | | Type | Book (General) | | Title | René Girard, Je vois Satan tomber comme un éclair (Japanese translation) | | Contribution Type | Single Translation | | Journal Type | Japan | | Publisher | Shinkyo Shuppann editions | | Total page number | 301 | |
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14. |
Book |
Anouilh, L'Alouette. (Japanese translation and Presentation) (Single) 2007/09 |
| Language | Japanese | | Publication Date | 2007/09 | | Type | Book (General) | | Title | Anouilh, L'Alouette. (Japanese translation and Presentation) | | Contribution Type | Single Translation | | Publisher | Hayakawa Shobo editions | | Total page number | 216 | |
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15. |
Book |
Pascale Casanova, La République mondiale des lettres. (Japanese translation and Presentation) (Single) 2002/12 |
| Language | Japanese | | Publication Date | 2002/12 | | Type | Scholarly Book | | Title | Pascale Casanova, La République mondiale des lettres. (Japanese translation and Presentation) | | Contribution Type | Single Translation | | Publisher | Fujiwara shoten editions | | Responsible for | 560 | |
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16. |
Book |
Paul Gauguin, Noa Noa. (Japanese translation and Presentation) (Single) 1999/10 |
| Language | Japanese | | Publication Date | 1999/10 | | Type | Book (General) | | Title | Paul Gauguin, Noa Noa. (Japanese translation and Presentation) | | Contribution Type | Single Translation | | Journal Type | Japan | | Publisher | Chikuma-shobo editions | | Responsible for | 218 | |
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17. |
Book |
Dominique Bona, Gala. (Japanese translation and Presentation) (Single) 1997/11 |
| Language | Japanese | | Publication Date | 1997/11 | | Type | Book (General) | | Title | Dominique Bona, Gala. (Japanese translation and Presentation) | | Contribution Type | Single Translation | | Publisher | Chikuma-shobo editions | | Responsible for | 400 | |
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18. |
Article |
Jean-Paul Goujon, Tes blessures sont plus douces que leurs caresses.
Vie de Renée Vivien. Cahier 2024(34),pp.23-25 (Single) 2024/08 |
| Language | Japanese | | Publication Date | 2024/08 | | Type | Book Review, etc. | | Title | Jean-Paul Goujon, Tes blessures sont plus douces que leurs caresses.
Vie de Renée Vivien. | | Contribution Type | Single Work | | Journal | Cahier | | Journal Type | Japan | | Publisher | Societe de langue et litterature francaises | | Volume, Issue, Pages | 2024(34),pp.23-25 | | Total page number | 3 | | Details | Book review of the Japanese translation of :Jean-Paul Goujon, Tes blessures sont plus douces que leurs caresses.Vie de Renée Vivien , Régine Deforge, 1986, translated by Toshie Nakajima and published by Editions Suiseisha, 2023. | |
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19. |
Article |
From the Bestiary to the Gallantry L'Année Baudelaire (23) (Single) 2020 |
| Language | French | | Publication Date | 2020 | | Type | Research Paper | | Peer Review | With peer review | | Title | From the Bestiary to the Gallantry | | Contribution Type | Single Work | | Journal | L'Année Baudelaire | | Journal Type | Another Country | | Publisher | Honoré Champion, Paris | | Volume, Issue, Pages | (23) | | Author and coauthor | Shoichiro Iwakiri | | Details | Our article analyses 'Horloge' in Le Spleen de Paris between the first version and the revised version, and identifies the process of establishment of Baudelaire's new poetics after 1857. | | URL for researchmap | https://www.honorechampion.com/fr/champion/11418-book-08535487-9782745354877.html | |
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20. |
Article |
L’Idée du mal et l’influence de Baudelaire sur Kunio Tsukamoto AmeriQuests (ejournal) 13(1),pp.1-10 (Single) 2017/03 |
| Language | French | | Publication Date | 2017/03 | | Type | Research Paper | | Peer Review | With peer review | | Title | L’Idée du mal et l’influence de Baudelaire sur Kunio Tsukamoto | | Contribution Type | Single Work | | Journal | AmeriQuests (ejournal) | | Journal Type | Another Country | | Publisher | Vanderbilt University | | Volume, Issue, Pages | 13(1),pp.1-10 | | Responsible for | The opening article | | Details | A comparative study of the influence of French poet Baudelaire's influence on a tanka poet Kunio Tsukamoto, by focusing on the conception of 'evil' which constitues the aesthetics of both poets. | |
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21. |
Article |
Phèdre(s) at the l'Odéon Theatre, Paris. Bulletin de la Société franco-japonaise de Théâtre (New series 7) (Single) 2017 |
| Language | Japanese | | Publication Date | 2017 | | Type | Rapid Communication, Short Communication, Research Note, etc. (Scientific Journal) | | Title | Phèdre(s) at the l'Odéon Theatre, Paris. | | Contribution Type | Single Work | | Journal | Bulletin de la Société franco-japonaise de Théâtre | | Journal Type | Japan | | Publisher | Société franco-japonaise de Théâtre | | Volume, Issue, Pages | (New series 7) | | Responsible for | p. 17 | | Author and coauthor | Shoichiro Iwakiri | | Details | Ttheatre review of the Phèdre(s) directed by Warlrikowski at Odéon Theatre, Paris , in 2016. | |
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22. |
Article |
« Ob-scene» on the stage Tragedy and Comedy pp.40-43 (Single) 2016/11 |
| Language | Japanese | | Publication Date | 2016/11 | | Type | Review Article or Commentary (Magazine) | | Invitation | With invitation | | Title | « Ob-scene» on the stage | | Contribution Type | Single Work | | Journal | Tragedy and Comedy | | Journal Type | Japan | | Publisher | Hayakawa Shobo editions | | Volume, Issue, Pages | pp.40-43 | |
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23. |
Article |
Ce qui est peint dans « Le Désir de peindre» Revue de Langue et Littérature Françaises pp.321-335 (Single) 2016/10 |
| Language | Japanese | | Publication Date | 2016/10 | | Type | Research Paper | | Peer Review | With peer review | | Title | Ce qui est peint dans « Le Désir de peindre» | | Contribution Type | Single Work | | Journal | Revue de Langue et Littérature Françaises | | Journal Type | Japan | | Publisher | Société de Langue et Littérature Française de l'Université de Tokyo | | Volume, Issue, Pages | pp.321-335 | | Details | Analyse et interprétation d'un poème en prose Désir de peindre dans Le Spleen de Paris. | |
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24. |
Article |
Balai contre un mur : étude sur le quotidien et le merveilleux pp.207-249 (Single) 2015/03 |
| Language | Japanese | | Publication Date | 2015/03 | | Type | Research Paper (Bulletin of University/Institution) | | Title | Balai contre un mur : étude sur le quotidien et le merveilleux | | Contribution Type | Single Work | | Journal Type | Japan | | Volume, Issue, Pages | pp.207-249 | | Details | Study on the poetics of 'quotidien' and 'merveilleux' in works of film director Naomi Kawase, of writers Hugo von Hofmannsthal and Proust. | |
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25. |
Article |
Le singulier dans le régulier :
Quand des mots français s’introduisent dans le tanka.
Le cas de Tsukamoto Kunio Modernité 37,pp.265-273 (Single) 2014/10 |
| Language | French | | Publication Date | 2014/10 | | Type | Research Paper (Scientific Journal) | | Peer Review | With peer review | | Invitation | With invitation | | Title | Le singulier dans le régulier :
Quand des mots français s’introduisent dans le tanka.
Le cas de Tsukamoto Kunio | | Contribution Type | Single Work | | Journal | Modernité | | Journal Type | Another Country | | Publisher | Presses Universitaires de Bordeaux | | Volume, Issue, Pages | 37,pp.265-273 | | Responsible for | 265-273 | | Details | Study on the use of French words when an avant-guardiste tanka poet Kunio Tsukamoto tried to create a new poetics of the genre. | |
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26. |
Article |
Un sonnet de Kiwao Nomura Modernité 37,pp.297-297 (Single) 2014/10 |
| Language | French | | Publication Date | 2014/10 | | Type | Research Paper (Scientific Journal) | | Peer Review | With peer review | | Invitation | With invitation | | Title | Un sonnet de Kiwao Nomura | | Contribution Type | Single Work | | Journal | Modernité | | Journal Type | Another Country | | Publisher | Presses Universitaires de Bordeaux | | Volume, Issue, Pages | 37,pp.297-297 | | Responsible for | 297-297 | |
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27. |
Article |
Matress and a bouquet : Study on «Olympia» of Manet Humanities : Christianity and Culture pp.137-157 (Single) 2014/03 |
| Language | Japanese | | Publication Date | 2014/03 | | Type | Research Paper (Scientific Journal) | | Invitation | With invitation | | Title | Matress and a bouquet : Study on «Olympia» of Manet | | Contribution Type | Single Work | | Journal | Humanities : Christianity and Culture | | Publisher | Institute for the Study of Christianity and Culture | | Volume, Issue, Pages | pp.137-157 | | Details | Analysis of the Manet's Olympia. : art of 'dissimulation' and 'revelation'. | |
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28. |
Article |
'Salt and ballets : rejection and sensation in Camus's 'L'Etranger'. Humanities : Christianity and Culture pp.155-169 (Single) 2013/03 |
| Language | Japanese | | Publication Date | 2013/03 | | Type | Research Paper (Scientific Journal) | | Title | 'Salt and ballets : rejection and sensation in Camus's 'L'Etranger'. | | Contribution Type | Single Work | | Journal | Humanities : Christianity and Culture | | Journal Type | Japan | | Volume, Issue, Pages | pp.155-169 | | Details | Analysis of the structural fonction of the imaginary of 'salt' in Camus' L'Etranger. | | ISSN | 0073-3938 | |
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29. |
Article |
Autoportrait du poème en prose L'année Baudelaire 13/14,pp.181-193 (Single) 2011 |
| Language | French | | Publication Date | 2011 | | Type | Research Paper (Scientific Journal) | | Peer Review | With peer review | | Title | Autoportrait du poème en prose | | Contribution Type | Single Work | | Journal | L'année Baudelaire | | Journal Type | Another Country | | Volume, Issue, Pages | 13/14,pp.181-193 | | Author and coauthor | IWAKIRI, Shoichiro | | Details | Replacing two poèmes en prose de Baudelaire, Les Projets and Les Yeux des pauvres, in their editorial context on journal, my article shows how equivocal was the status of the poeme en prose as a genre in Baudelaire's time, and proposes a reading of Perte d'auréole as an alegory of Poème en prose. | |
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30. |
Article |
Linda Baros and William Cliff Beagle pp.23-26 (Single) 2009/04 |
| Language | Japanese | | Publication Date | 2009/04 | | Type | Review Article or Commentary (Magazine) | | Invitation | With invitation | | Title | Linda Baros and William Cliff | | Contribution Type | Single Work | | Journal | Beagle | | Journal Type | Japan | | Publisher | Miotsukushi editions | | Volume, Issue, Pages | pp.23-26 | |
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31. |
Article |
Truth of non-domesticated man : poetry of William Cliff. Contemporary Poetry Review pp.110-111 (Single) 2008/11 |
| Language | Japanese | | Publication Date | 2008/11 | | Type | Review Article or Commentary (Magazine) | | Invitation | With invitation | | Title | Truth of non-domesticated man : poetry of William Cliff. | | Contribution Type | Single Work | | Journal | Contemporary Poetry Review | | Journal Type | Japan | | Publisher | Shichosha Editions | | Volume, Issue, Pages | pp.110-111 | |
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32. |
Article |
City and Arcadia---report on the International poetry festival in Rotterdam. Beagle pp.58-61 (Single) 2008/10 |
| Language | Japanese | | Publication Date | 2008/10 | | Type | Review Article or Commentary (Magazine) | | Invitation | With invitation | | Title | City and Arcadia---report on the International poetry festival in Rotterdam. | | Contribution Type | Single Work | | Journal | Beagle | | Publisher | Miotsukushi editions | | Volume, Issue, Pages | pp.58-61 | |
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33. |
Article |
Le Notable poétique d'une voix Baudelaire et les formes poétiques (La Licorne 83) pp.53-64 (Single) 2008/06 |
| Publication Date | 2008/06 | | Type | Research Paper | | Title | Le Notable poétique d'une voix | | Contribution Type | Single Work | | Journal | Baudelaire et les formes poétiques (La Licorne 83) | | Volume, Issue, Pages | pp.53-64 | | Author and coauthor | IWAKIRI, Shoichiro | | Details | Analysis of the poetical function of the Voice in Baudelaire's poetics. | | ISBN | 978-2-7535-0595-7 | |
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34. |
Article |
Film of La Duchesse de Langeais, emotion visualized, seduction by the sound. Yomiuri Shinbun (Journal) (Single) 2008/04 |
| Language | Japanese | | Publication Date | 2008/04 | | Type | Review Article or Commentary (Other) | | Title | Film of La Duchesse de Langeais, emotion visualized, seduction by the sound. | | Contribution Type | Single Work | | Journal | Yomiuri Shinbun (Journal) | | Journal Type | Japan | |
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35. |
Article |
Poetry of cupboard Changes of the notion of Time in French Literature pp.387-398 (Single) 2007/04 |
| Language | Japanese | | Publication Date | 2007/04 | | Type | Research Paper | | Title | Poetry of cupboard | | Contribution Type | Single Work | | Journal | Changes of the notion of Time in French Literature | | Journal Type | Japan | | Volume, Issue, Pages | pp.387-398 | | Details | Report of Grants-in-Aid for Scientific Research2004-2006（No-16320034） | |
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36. |
Article |
'Only soil, roots, roots, and roots'---Voices of European Poets--- Contemporary Poetry Review pp.100-103 (Single) 2006/02 |
| Language | Japanese | | Publication Date | 2006/02 | | Type | Review Article or Commentary (Magazine) | | Invitation | With invitation | | Title | 'Only soil, roots, roots, and roots'---Voices of European Poets--- | | Contribution Type | Single Work | | Journal | Contemporary Poetry Review | | Publisher | Shichosha Editions | | Volume, Issue, Pages | pp.100-103 | |
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37. |
Article |
Understanding Other and appropriation of the speech: Baudelaire's case. Humanities : Christianity and Culture pp.77-193 (Single) 2005/03 |
| Language | Japanese | | Publication Date | 2005/03 | | Type | Research Paper (Scientific Journal) | | Title | Understanding Other and appropriation of the speech: Baudelaire's case. | | Contribution Type | Single Work | | Journal | Humanities : Christianity and Culture | | Publisher | Institute for the Study of Christianity and Culture | | Volume, Issue, Pages | pp.77-193 | |
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38. |
Other |
Japanese translation of 'ART' by Yasmina Reza. Tragi-Comedy (Higeki-Kigeki) 73(3),pp.150-189 (Single) 2020/05 |
| Language | Japanese | | Publication Date | 2020/05 | | Type | Other | | Invitation | With invitation | | Title | Japanese translation of 'ART' by Yasmina Reza. | | Contribution Type | Single Translation | | Journal | Tragi-Comedy (Higeki-Kigeki) | | Journal Type | Japan | | Publisher | Hayakawa-shobo, Japan. | | Volume, Issue, Pages | 73(3),pp.150-189 | | Total page number | 206 | | Authorship | Lead author | | Original author(s) | Yasmina Reza | | Details | Translation of the play performed in 2020 (cancelled halfway through under the COVID-19; to be performed again in 2023 in Setagaya Public Theatre, etc.). | |
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■ Academic Conference Presentation
| 1. |
2022/06/18 |
Une curieuse égalité fraternelle (Baudelaire-Poetry and Art-Charm of Artistic Correspondence 5) |
| Date | 2022/06/18 | | Presentation Theme | Une curieuse égalité fraternelle | | Conference | Baudelaire-Poetry and Art-Charm of Artistic Correspondence 5 | | Promoters | Maison franco-japonaise | | Conference Type | International | | Presentation Type | Speech (Invitation/Special) | | Contribution Type | Individual | | Invited | Invited | | Venue | Tokyo | | Holding period | 2022/06/18～2022/06/19 | | Details | Selon Baudelaire, le « meilleur compte rendu d’un tableau pourra être un sonnet ou une élégie » (Salon de 1846). De même, « il est impossible qu’un poète ne contienne pas un critique » (Richard Wagner et Tannhäuser à Paris, 1861). Comment le poète et le critique sont-ils unis en lui ? En quoi le peintre, le poète, le compositeur, ont-ils en partage le règne de l’imagination, « reine des facultés » (Salon de 1859) et source fondamentale de toute création ? De quelle façon la littérature, les beaux-arts et la musique, fondés sur des ressources formelles et techniques si différentes, s’interpénètrent-ils ?
À l’occasion du bicentenaire de la naissance de Baudelaire, ce colloque placé sous le signe de la « correspondance des arts » repensera la manière dont la poésie et la pensée réflexive se nourrissent et s’éclairent chez lui, pour mesurer non seulement son importance historique mais aussi son impact actuel.
Le programme comprend une table ronde spéciale sur « Baudelaire et les femmes », à laquelle participeront deux grands écrivains japonais contemporains, et le colloque sera précédé d’un « Concert Baudelaire ». | | URL for researchmap | https://www.mfjtokyo.or.jp/events/symposium/20220619.html | |
| 2. |
2021/05/23 |
Transgression of (from) Baudelaire (Société japonaise de langue et littérature françaises (Spring Congres)) |
| Date | 2021/05/23 | | Presentation Theme | Transgression of (from) Baudelaire | | Conference | Société japonaise de langue et littérature françaises (Spring Congres) | | Conference Type | Domestic | | Presentation Type | Panelist at Symposium/Workshop (Appointed) | | Contribution Type | Collaborative | |
| 3. |
2019/05/26 |
Till and After the Creation of Camus' Malentendu |
| Date | 2019/05/26 | | Presentation Theme | Till and After the Creation of Camus' Malentendu | | Promoters | University of Seijo, Tokyo, Japan | | Conference Type | Domestic | | Presentation Type | Panelist at Symposium/Workshop (Appointed) | | Contribution Type | Collaborative | | Holding period | 2019/05/25～2019/05/26 | |
| 4. |
2017/05/28 |
Du bestiaire à la galanterie : « L'Horloge » du Spleen de Paris (Colloque international : Baudelaire 150 ans après) |
| Date | 2017/05/28 | | Presentation Theme | Du bestiaire à la galanterie : « L'Horloge » du Spleen de Paris | | Conference | Colloque international : Baudelaire 150 ans après | | Promoters | Université de Tokyo (Hongo) | | Conference Type | International | | Presentation Type | Panelist at Symposium/Workshop (Appointed) | | Contribution Type | Individual | | Venue | Tokyo, Japan | | Researchers and Co-Researchers | André Guyaux (Université Paris-Sorbonne), Toru Hatakeyama (Université Meiji-Gakuin), Keiji Suzuki(Université de Tokyo), Patrizia Lombardo (Université de Genève), Ryusuké Ebiné (Université de jeunes filles Shirayuri), Noriko Yoshida(Université de Kôbé), Antoine Compagnon(Collège de France), Aurélia Cervoni(Université Paris-Sorbonne), Shoichiro Iwakiri(ICU-International Christian University), Kazuaki Yoshimura (Université Sophia). L'organisateur : Yoshikazu Nakaji (Université de Tokyo) | | Details | International symposium on Baudelaire's poetics and aesthetics at the occasion of the 150th years after the death of the poet. | |
| 5. |
2016/03/09 |
Translation on stage |
| Date | 2016/03/09 | | Presentation Theme | Translation on stage | | Conference Type | Workshop/Symposium | | Presentation Type | Speech (Invitation/Special) | | Contribution Type | Individual | | Invited | Invited | |
| 6. |
2015/11/06 |
(Baudelaire au Japon) |
| Date | 2015/11/06 | | Conference | Baudelaire au Japon | | Promoters | W.T.Bandy Center, Vanderbilt University. | | Conference Type | Workshop/Symposium | | Presentation Type | Speech (Invitation/Special) | | Contribution Type | Collaborative | | Invited | Invited | | Venue | Tennessee, USA. | |
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■ Lectures
| 1. |
2022/06/19 |
Une curieuse égalité fraternelle (Tokyo) |
| Date | 2022/06/19 | | Title | Une curieuse égalité fraternelle | | Conference | Baudelaire : la poésie et les arts. Correspondance des arts 5 (colloque franco-japonais) | | Promoters | Maison franco-japonaise | | Location | Tokyo | | Conference Type | International | | Lecture Type | Panelist | | Contribution Type | Individual | | Details | Sur la poétique de l"énergie chez Baudelaire. | |
| 2. |
2022/03/30 |
Education under the pandemic |
| Date | 2022/03/30 | | Title | Education under the pandemic | | Conference Type | Domestic | | Lecture Type | Keynote Speech | | Contribution Type | Individual | | Invited | Invited | | Details | Keynote Lecture for the 10th Anniversary of the foundation of Academic Link Center of the University of Chiba, entitled 'On the Online Education as a pharmakon'. | |
| 3. |
2017/05/13 |
When a researcher of the French Poetry translates a piece of drama (Senshu University (Kanda campus, Tokyo)) |
| Date | 2017/05/13 | | Title | When a researcher of the French Poetry translates a piece of drama | | Promoters | La Société Franco-Japonaise du Théâtre | | Location | Senshu University (Kanda campus, Tokyo) | | Conference Type | Other | | Lecture Type | Special/Memorial Lecture | | Contribution Type | Individual | | Invited | Invited | |
| 4. |
2015/11/21 |
Between Academic Activities and Performance : research, translation, creation and representation. |
| Date | 2015/11/21 | | Title | Between Academic Activities and Performance : research, translation, creation and representation. | | Conference | 4th Conference of the Shueisha Editions Donation course 'Superior Culture' | | Promoters | University of Tokyo, Graduate School of Humanities and Social Sceiences, and the Faculty of Letters. | | Conference Type | Domestic | | Lecture Type | Panelist | | Contribution Type | Collaborative | | Invited | Invited | |
| 5. |
2011/06/06 |
Translation of feeling, traslation of language |
| Date | 2011/06/06 | | Title | Translation of feeling, traslation of language | | Conference Type | Other | | Lecture Type | Lecturer | | Contribution Type | Individual | | Details | Consideration on the element defined as the most important by Japanese translators of the occidental literary works at the Meiji periode : musical, emotional and ineffable aspects implied in the literary texts. | |
| 6. |
2009/07/21 |
Gauguin: a savage dream |
| Date | 2009/07/21 | | Title | Gauguin: a savage dream | | Conference | NHK Cultural Center Aoyama | | Promoters | NHK Cultural Center Aoyama | | Conference Type | Other | | Lecture Type | Lecturer | | Contribution Type | Individual | | Details | Conference on Gauguin's art and philosophy. | |
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■ Academic Society Memberships
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■ Academic Awards
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■ Exhibitions, Concerts and Athletic Meets
| 1. |
2001/01/26～2001/02/28 |
Translation of 'L'Histoire du soldat, of Ramus / Stravinsky, for the spectacle directed by Kazuya Yamada (Parco Theatre, and others.) |
| Period | 2001/01/26～2001/02/28 | | Name | Translation of 'L'Histoire du soldat, of Ramus / Stravinsky, for the spectacle directed by Kazuya Yamada | | Type | Other | | Contribution Type | Collaborative | | Venue | Parco Theatre, and others. | |
| 2. |
2003/11/05～2003/12/07 |
Translation of 'L'Histoire du soldat, of Ramus / Stravinsky, for the spectacle directed by Kazuya Yamada and Megumi Toyoda. (Kioi Hall, Tokyo) |
| Period | 2003/11/05～2003/12/07 | | Name | Translation of 'L'Histoire du soldat, of Ramus / Stravinsky, for the spectacle directed by Kazuya Yamada and Megumi Toyoda. | | Type | Other | | Contribution Type | Collaborative | | Venue | Kioi Hall, Tokyo | |
| 3. |
2005/06/27～2005/06/27 |
Poetry Reading at the International Poetry Festival in Genova. (Invitation) |
| Period | 2005/06/27～2005/06/27 | | Name | Poetry Reading at the International Poetry Festival in Genova. (Invitation) | | Type | Other | | Contribution Type | Collaborative | |
| 4. |
2005/12/09～2005/12/10 |
EU-Japan Poetry Festival in Tokyo Executive Committee + Readings (Italian Cultural Institute) |
| Period | 2005/12/09～2005/12/10 | | Name | EU-Japan Poetry Festival in Tokyo Executive Committee + Readings | | Type | Other | | Venue | Italian Cultural Institute | | Contents | Festival committee members and reading performance. | |
| 5. |
2007/02/07～2007/02/28 |
Translation of 'L'Alouette' of Anouilh, for the spectacle directed by Yukio Ninagawa. (Theatre Cocoon, Tokyo,and other others.) |
| Period | 2007/02/07～2007/02/28 | | Name | Translation of 'L'Alouette' of Anouilh, for the spectacle directed by Yukio Ninagawa. | | Type | Other | | Venue | Theatre Cocoon, Tokyo,and other others. | |
| 6. |
2007/09/20～2007/09/20 |
Script writing for the opera "Ondine" (Harmony Hall Fukui) |
| Period | 2007/09/20～2007/09/20 | | Name | Script writing for the opera "Ondine" | | Type | Other | | Venue | Harmony Hall Fukui | | Contents | Opera "Ondine" (premiered September 20, 2007 at Harmony Hall Fukui)
Script by Shoichiro Iwakiri, Music by Yasuhiro Kasamatsu, Conductor | |
| 7. |
2007/11/07～2007/12/15 |
Translation of t 'Caligula' of Albert Camus, for the spectacledirected by Yukio Ninagawa. (Theatre Cocoon, Tokyo,and other others.) |
| Period | 2007/11/07～2007/12/15 | | Name | Translation of t 'Caligula' of Albert Camus, for the spectacledirected by Yukio Ninagawa. | | Type | Other | | Venue | Theatre Cocoon, Tokyo,and other others. | |
| 8. |
2008/06/07～2008/06/13 |
Poetry Reading and Activities at the 39th International Poetry Festival at Rotterdam (invitation). (Rotterdam, Nethelands.) |
| Period | 2008/06/07～2008/06/13 | | Name | Poetry Reading and Activities at the 39th International Poetry Festival at Rotterdam (invitation). | | Type | Other | | Venue | Rotterdam, Nethelands. | |
| 9. |
2009/03/05～2009/03/05 |
Poetry reading in Live Poetry Brain |
| Period | 2009/03/05～2009/03/05 | | Name | Poetry reading in Live Poetry Brain | | Type | Other | | Contents | erformances
（Poets)
Jan Lauwereyns, Shoichiro Iwakiri, Harumi Kawaguchi, Akari Kido, Yosuke Tanaka, Kiwao Nomura, Sadakazu Fujii
(Dancers) Chiaki Kimiya, Rikako Tsukahara, and others
Produced by Mariko Nomura".
Place: Theater Daikanyama | |
| 10. |
2009/12/25～2010/01/03 |
Translation script for Ramuz and Stravinsky's "A Soldier's Tale". (Nikkei Hall, etc.) |
| Period | 2009/12/25～2010/01/03 | | Name | Translation script for Ramuz and Stravinsky's "A Soldier's Tale". | | Type | Other | | Contribution Type | Individual | | Venue | Nikkei Hall, etc. | | Contents | Nikkei Hall 2009/12/25-12/28
Hyogo Performing Arts Center 2010/01/03
Direction: Akira Shirai, Cast: Kanji Ishimaru, Piano: Hisano Ishioka, Percussion: Hisae Hirako | |
| 11. |
2010/03～ |
The image song for the University of Fukui. |
| Period | 2010/03～ | | Name | The image song for the University of Fukui. | | Type | Other | | Contribution Type | Individual | |
| 12. |
2010/05～ |
Text of 'Yotsuya Kwaidan' for the musical spectacle played by Eisuke Sasai et al. (music composed by Yasuhiro Kasamatsu) (Tokyo Bunka Kaikan) |
| Period | 2010/05～ | | Name | Text of 'Yotsuya Kwaidan' for the musical spectacle played by Eisuke Sasai et al. (music composed by Yasuhiro Kasamatsu) | | Type | Other | | Contribution Type | Individual | | Venue | Tokyo Bunka Kaikan | | Contents | Script for the music reading play "Yotsuya Ghost Story". Music : Yasuhiro Kasamatsu. ［Performances by Go Taneda, Atsushi Abe (p), Dogen Kinowaki (fl), Kenichiro Yasuda (vc) at Tokyou Bunka Kaikan, Hyogo Performing Arts Center. | |
| 13. |
2011/04/05～2011/04/05 |
Words for the school hymn of Ikeda elementary school, Ikea-city, Fukui. (Ikea-city, Fukui, Japan.) |
| Period | 2011/04/05～2011/04/05 | | Name | Words for the school hymn of Ikeda elementary school, Ikea-city, Fukui. | | Type | Other | | Venue | Ikea-city, Fukui, Japan. | |
| 14. |
2011/04/15～2011/05/01 |
Translation of 'En attendant Godot' of Samuel Beckett, for the spectacle directed by Shintaro Mori. (New National Theatre) |
| Period | 2011/04/15～2011/05/01 | | Name | Translation of 'En attendant Godot' of Samuel Beckett, for the spectacle directed by Shintaro Mori. | | Type | Other | | Venue | New National Theatre | |
| 15. |
2011/09～ |
Text of the Mono Opera 'Little Mermaid' , played by Akiko Nakajima (soprano), Masahiko Hare (baritone). Music by Yasuhiro Kasamatsu. (Tokyo Bunka Kaikan) |
| Period | 2011/09～ | | Name | Text of the Mono Opera 'Little Mermaid' , played by Akiko Nakajima (soprano), Masahiko Hare (baritone). Music by Yasuhiro Kasamatsu. | | Type | Other | | Contribution Type | Collaborative | | Venue | Tokyo Bunka Kaikan | |
| 16. |
2013/06/12～2013/06/12 |
Translation of 'Les Bâtisseurs d'empire' of Boris Vian, for the spectacledirected by Sachiko Ishimaru. |
| Period | 2013/06/12～2013/06/12 | | Name | Translation of 'Les Bâtisseurs d'empire' of Boris Vian, for the spectacledirected by Sachiko Ishimaru. | | Type | Other | | Contents | Spectacle performed by l'Ensemble Muromachi. | |
| 17. |
2013/10/26～2013/10/26 |
Pre-talk for the 9th spectacle of Ensemble Muromachi:Nouvelles Orientales. (Tsuda Hall) |
| Period | 2013/10/26～2013/10/26 | | Name | Pre-talk for the 9th spectacle of Ensemble Muromachi:Nouvelles Orientales. | | Type | Other | | Venue | Tsuda Hall | | Contents | Spectacle 'Nouvelles Orientales', performance and music. This spectacle was awardes the 13th Saji Keizo Prize (Suntory Prize). | |
| 18. |
2014/02/15～2014/02/27 |
Translation of 'Caligula' of Albert Camus, for the spectacle directed by Yukio Ninagawa. (Saitama Art Theatre) |
| Period | 2014/02/15～2014/02/27 | | Name | Translation of 'Caligula' of Albert Camus, for the spectacle directed by Yukio Ninagawa. | | Type | Other | | Venue | Saitama Art Theatre | | Contents | Representation of Camus' play 'Caligula', mise en scène by Yukio Ninagawa. | |
| 19. |
2014/02/19～2014/03/09 |
Translation of 'Les Séquesterés d'Altona ' of J.-P. Sartre, for the spectacle directed by Satoshi Kamimura. (New National Theatre) |
| Period | 2014/02/19～2014/03/09 | | Name | Translation of 'Les Séquesterés d'Altona ' of J.-P. Sartre, for the spectacle directed by Satoshi Kamimura. | | Type | Other | | Venue | New National Theatre | |
| 20. |
2015/11/21～2015/11/23 |
'Rhinocéros' of Ionesco, played by Théâtre de la Ville de Paris. (Making of Japanese subtitles.) (Saitama Art Theatre) |
| Period | 2015/11/21～2015/11/23 | | Name | 'Rhinocéros' of Ionesco, played by Théâtre de la Ville de Paris. (Making of Japanese subtitles.) | | Type | Other | | Contribution Type | Collaborative | | Venue | Saitama Art Theatre | | Contents | Making of Japanese subtitles. | |
| 21. |
2015/12/11～2015/12/21 |
Translation of "SYNGUÉ SABOUR " of Atiq RAHIMI, Adaptation of Jean René LEMOINE, for the spectacle directed by Satoshi Kamimura. (Theatre Fushi-Kaden, Tokyo.) |
| Period | 2015/12/11～2015/12/21 | | Name | Translation of "SYNGUÉ SABOUR " of Atiq RAHIMI, Adaptation of Jean René LEMOINE, for the spectacle directed by Satoshi Kamimura. | | Type | Other | | Contribution Type | Collaborative | | Venue | Theatre Fushi-Kaden, Tokyo. | |
| 22. |
2017/04/08～2017/05/11 |
Racine, 'Phèdre' (Translation and script making) (Theatre Cocoon and others.) |
| Period | 2017/04/08～2017/05/11 | | Name | Racine, 'Phèdre' (Translation and script making) | | Type | Other | | Contribution Type | Collaborative | | Venue | Theatre Cocoon and others. | | Presenter and Co-Presenter | Director: Tamiya Kuriyama, Actors: Shinobu Otake, et al. | | Contents | Representation ot Racine's tragedy, 'Phèdre'. Shinobu Otake who played the role-titre was awarded 52 th Kinokuniya-Drama Prize. | |
| 23. |
2017/09/14～2017/10/08 |
Eric-Emmanuel Schmitt, 'Variations énigmatiques'. (Translation and script making) (Setagaya Public Theatre, and others.) |
| Period | 2017/09/14～2017/10/08 | | Name | Eric-Emmanuel Schmitt, 'Variations énigmatiques'. (Translation and script making) | | Type | Other | | Contribution Type | Collaborative | | Venue | Setagaya Public Theatre, and others. | | Contents | Representation of Eric-Emmanuel Schmitt's play 'Variations énigmatiques'. Isao Hashizume who played the principle character was awarded The Best actor at the 25th Yomiuri Drama Prize. | |
| 24. |
2017/10/05～2017/10/27 |
Jean Giraudoux, 'La Guerre de Troie n'aura pas lieu'. (Translation and script making) (New National Theatre) |
| Period | 2017/10/05～2017/10/27 | | Name | Jean Giraudoux, 'La Guerre de Troie n'aura pas lieu'. (Translation and script making) | | Type | Other | | Contribution Type | Collaborative | | Venue | New National Theatre | | Contents | Representation of Giraudoux's play 'La Guerre de Troie n'aura pas lieu'. The video was on air by NHK （http://www.nntt.jac.go.jp/play/news/detail/13_011678.html） | |
| 25. |
2017/11/04～2017/12/10 |
Nelly Arcan, 'La Fureur de ce que je pense' (Translation) |
| Period | 2017/11/04～2017/12/10 | | Name | Nelly Arcan, 'La Fureur de ce que je pense' (Translation) | | Type | Other | | Contribution Type | Collaborative | | Contents | Representation of Nelly Arcan's 'La Fureur de ce que je pense', mise en scène by Canadian director Marie Brassard. | |
| 26. |
2018/01/09～2018/02/26 |
Jean Anouilh, 'Angigone'. (Translation) (New National Theatre) |
| Period | 2018/01/09～2018/02/26 | | Name | Jean Anouilh, 'Angigone'. (Translation) | | Type | Other | | Contribution Type | Collaborative | | Venue | New National Theatre | | Contents | Translation and script making for the representation of Anouilh's play 'Antigone'. | |
| 27. |
2018/07/14～2018/08/12 |
Stage of Yasmina Reza's, 'Bella Figura' (translation by Iwakiri) |
| Period | 2018/07/14～2018/08/12 | | Name | Stage of Yasmina Reza's, 'Bella Figura' (translation by Iwakiri) | | Type | Other | | Contribution Type | Collaborative | | Contents | Representation of Yasmina Reza's 'Bella Figura', with Kyoka Suzuki et al. | |
| 28. |
2018/10/04～2018/10/21 |
Stage Play of Le Malentendu of Albert Camus (The New National Theatre) |
| Period | 2018/10/04～2018/10/21 | | Name | Stage Play of Le Malentendu of Albert Camus | | Type | Other | | Contribution Type | Collaborative | | Venue | The New National Theatre | |
| 29. |
2019/09/01～2019/09/10 |
Ingmar Bergman, 'Après la répétition' (New National Theatre) |
| Period | 2019/09/01～2019/09/10 | | Name | Ingmar Bergman, 'Après la répétition' | | Type | Other | | Contribution Type | Collaborative | | Venue | New National Theatre | | Contents | Screenplay : Ingmar Bergman
Translation: Shoichiro Iwakiri
Direction: Tamiya Kuriyama
Art Director: Kayoko Osada Lighting Director: Yuji Sawada Costume Designer: Rie Nishihara
Sound: Masahiro Inoue Hair & Make-up: Naoki Kamata
Assistant Director: Akihiro Tsuboi Stage Manager: Nobuo Fukumoto, Wataru Ogawa Production: Emi Watanabe
Cast
Ichiro Maki
Morikawa Yuki
Enoki Takaaki | |
| 30. |
2019/09/29～2019/10/27 |
Lars Norén, 'Nattvarden' (Theatre Fuushikaden) |
| Period | 2019/09/29～2019/10/27 | | Name | Lars Norén, 'Nattvarden' | | Type | Other | | Contribution Type | Collaborative | | Venue | Theatre Fuushikaden | | Contents | Screenplay by Lars Noreen
Translation by Shoichiro Iwakiri and Miho Helen Hulme
Directed by Satoshi Kamimura
Cast: Kenichi Okamoto, Momoko Kurita, Naoki Saito, Sayoko Nasu | |
| 31. |
2019/11/09～2019/11/24 |
Camus, "Caligula" Translation Script (New National Theatre, Tokyo 2019/11/9 (Sat) - 11/24 (Sun)) |
| Period | 2019/11/09～2019/11/24 | | Name | Camus, "Caligula" Translation Script | | Type | Other | | Contribution Type | Collaborative | | Venue | New National Theatre, Tokyo 2019/11/9 (Sat) - 11/24 (Sun) | | Contents | Author: Albert Camus
Translation: Shoichiro Iwakiri
Director: Tamiya Kuriyama
Cast: Masaki Sugata, others | |
| 32. |
2019/11/28～2019/12/24 |
Japanese ranlation of Yasmina Reza The Righteous Adults. (Tokyo Globe Theatre, etc.) |
| Period | 2019/11/28～2019/12/24 | | Name | Japanese ranlation of Yasmina Reza The Righteous Adults. | | Type | Other | | Contribution Type | Collaborative | | Venue | Tokyo Globe Theatre, etc. | | Contents | Author: Yasmina Reza
Translation: Shoichiro Iwakiri
Director: Satoshi Kamimura
Cast: Miki Maya, Kenichi Okamoto, Tomoko Nakajima, Yoshimasa Kondo | |
| 33. |
2020/03 |
Japanese Traslation and Script making of 'ART' by Yasmina Reza (Saino-kuni Saitama Art Theatre) |
| Period | 2020/03 | | Name | Japanese Traslation and Script making of 'ART' by Yasmina Reza | | Type | Other | | Contribution Type | Individual | | Venue | Saino-kuni Saitama Art Theatre | |
| 34. |
2021/01/10～2021/02/21 |
'Phèdre' by Racine |
| Period | 2021/01/10～2021/02/21 | | Name | 'Phèdre' by Racine | | Type | Concert | | Contribution Type | Individual | |
| 35. |
2021/01/31～2021/02/11 |
'Morts sans sépulture' by Sartre (Shimokita-zawa Ekimae Ttheatre) |
| Period | 2021/01/31～2021/02/11 | | Name | 'Morts sans sépulture' by Sartre | | Type | Concert | | Contribution Type | Individual | | Venue | Shimokita-zawa Ekimae Ttheatre | |
| 36. |
2022/04/10 |
School Song of Minami-Echizen Junior High School (pref. of Fukui). |
| Period | 2022/04/10 | | Name | School Song of Minami-Echizen Junior High School (pref. of Fukui). | | Type | Concert | | Contribution Type | Collaborative | | Presenter and Co-Presenter | Music : Yasuhiro Kasamatsu | |
| 37. |
2022/06/04～2022/06/30 |
Spectacle of 'La Putain respectueuse' of Jean-Paul Sartre (Tokyo, Hyogo, Aichi.) |
| Period | 2022/06/04～2022/06/30 | | Name | Spectacle of 'La Putain respectueuse' of Jean-Paul Sartre | | Type | Concert | | Contribution Type | Collaborative | | Venue | Tokyo, Hyogo, Aichi. | | Presenter and Co-Presenter | Directer: Tamiya Kuriyama, Cast : Nao, Shunsuke Kazama et al. | | Contents | Translation of the text and making the script. | |
| 38. |
2022/06/07～2022/07/10 |
Veber, 'Le Diner de cons' ; ; translation of the text and script making. (Tokyo, Osaka, Nagano, Aichi, Fukuoka.) |
| Period | 2022/06/07～2022/07/10 | | Name | Veber, 'Le Diner de cons' ; ; translation of the text and script making. | | Type | Concert | | Contribution Type | Collaborative | | Venue | Tokyo, Osaka, Nagano, Aichi, Fukuoka. | | Presenter and Co-Presenter | Director : Kazuya Yamada, Cast : Ainosuke Kataoka, Shigeyuki Totsugi and al. | | Contents | Representation. | |
| 39. |
2022/09/28～2022/10/02 |
Subtitles for the invitation performance of Tennessee Williams' "The Glass Menagerie" in Tokyo by Theatre Odéon (Paris) (New National Theatre, Tokyo.) |
| Period | 2022/09/28～2022/10/02 | | Name | Subtitles for the invitation performance of Tennessee Williams' "The Glass Menagerie" in Tokyo by Theatre Odéon (Paris) | | Type | Other | | Contribution Type | Individual | | Venue | New National Theatre, Tokyo. | | Contents | Invitation performance (in French) of Tennessee Williams' "The Glass Menagerie" by the Theatre Odéon (Paris). Starring Isabelle Huppert and directed by Ivo Van Hove. | |
| 40. |
2023/05/27～2023/06/11 |
Translation for the creation of Yasmina Reza's drama : Art. (Setagaya Public Theatre, Tokyo.) |
| Period | 2023/05/27～2023/06/11 | | Name | Translation for the creation of Yasmina Reza's drama : Art. | | Type | Concert | | Contribution Type | Collaborative | | Venue | Setagaya Public Theatre, Tokyo. | |
| 41. |
2023/08/19～2023/08/20 |
Racine, Phèdre représenté dans un style de Kabuki. (National Theatre) |
| Period | 2023/08/19～2023/08/20 | | Name | Racine, Phèdre représenté dans un style de Kabuki. | | Type | Concert | | Contribution Type | Collaborative | | Venue | National Theatre | | Presenter and Co-Presenter | Kyozo Nakamura et al. | | Contents | Creation of Phèdre of Racine in the Japanese and Kabuki style. | |
| 42. |
2024/07/05～2024/07/28 |
Orlando (Parco Theatre) |
| Period | 2024/07/05～2024/07/28 | | Name | Orlando | | Type | Other | | Contribution Type | Collaborative | | Venue | Parco Theatre | | Contents | Stage adaptation of Virginia Woolf's Orlando. I was in charge of creating the script (adaptation). Direction: Tamiya Kuriyama. Cast: Rie Miyazawa, Eiji Wentz, Yamato Kochi, Ayumi Tanida, Hajime Yamazaki. Violin performance: Ayumi Koshikawa | |
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