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(最終更新日:2025-10-06 01:27:04)
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■ 学歴
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■ 職歴
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■ プロフィール
I am a media studies scholar taking an interdisciplinary and ethnographic approach to audience consumption, media globalization and media’s shaping of society.
I received my doctoral degree, PhD, in Media and Communications from Goldsmiths, University of London. My PhD thesis examines the Taiwanese consumption of foreign TV programs via online sharing. Ilooked at the implications such consumption has for the changing role of television in society, the construction of cultural identities, and cultural power relationships between countries.
I am a research member of the Global Internet Television Consortium, a transnational network for research on Netflix and other internet-distributed TV services found by Prof. Amanda Lotz (Queensland University of Technology) and Dr. Ramon Lobato (RMIT University, Melbourne). As a Consortium member, I am responsible for analyzing Netflix’s development in, and its implications for, the media environment in Taiwan and Japan.
My new research project looks at how high-profile Hollywood celebrities’ social media accounts shape the fan-celebrity relationship and promotes the celebritization of contemporary society.
I am the author of the multi-award-winning book The Great Assembly of Doraemon Collections (in Mandarin, 2002). |
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■ 主要学科目
Media and cultural studies; Television studies; Audience research; Media globalization; Media history |
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■ 著書・論文歴
1. |
論文 |
Content Territorialities: a Catalogue-Based Study of ‘Global’SVOD Platforms in East Asia Asiascape: Digital Asia (1-3),pp.303-333 (共著) 2025/09 |
言語種別 | 英語 | 発行・発表の年月 | 2025/09 | 形態種別 | 研究論文 | 査読 | 査読あり | 標題 | Content Territorialities: a Catalogue-Based Study of ‘Global’SVOD Platforms in East Asia | 執筆形態 | 共著 | 掲載誌名 | Asiascape: Digital Asia | 掲載区分 | 国外 | 巻・号・頁 | (1-3),pp.303-333 | 総ページ数 | 31 | 国際共著 | 国際共著 | 著者・共著者 | Delanaux, Remy, Tse, Yu-Kei, Roth, Martin | |
2. |
論文 |
One World: Media event and symbolic power in a global pandemic. Annual Review of Cultural Studies 12,pp.233-253 (単著) 2024/07 |
言語種別 | 英語 | 発行・発表の年月 | 2024/07 | 形態種別 | 研究論文 | 査読 | 査読あり | 標題 | One World: Media event and symbolic power in a global pandemic. | 執筆形態 | 単著 | 掲載誌名 | Annual Review of Cultural Studies | 掲載区分 | 国内 | 巻・号・頁 | 12,pp.233-253 | 総ページ数 | 21 | 担当区分 | 筆頭著者 | |
3. |
論文 |
‘Terebi banare’: Historicising internet-distributed television and the ‘departure from television’ in Japan. International Journal of Cultural Studies (単著) 2024/01 |
言語種別 | 英語 | 発行・発表の年月 | 2024/01 | 形態種別 | 研究論文 | 査読 | 査読あり | 標題 | ‘Terebi banare’: Historicising internet-distributed television and the ‘departure from television’ in Japan. | 執筆形態 | 単著 | 掲載誌名 | International Journal of Cultural Studies | 掲載区分 | 国外 | |
4. |
論文 |
Black Ships? Locating Netflix in Taiwan and Japan. Journal of Cinema and Media Studies 59(3),pp.143-148 (単著) 2020/05 |
言語種別 | 英語 | 発行・発表の年月 | 2020/05 | 形態種別 | 研究論文 | 招待論文 | 招待あり | 標題 | Black Ships? Locating Netflix in Taiwan and Japan. | 執筆形態 | 単著 | 掲載誌名 | Journal of Cinema and Media Studies | 掲載区分 | 国外 | 巻・号・頁 | 59(3),pp.143-148 | 総ページ数 | 6 | |
5. |
論文 |
Netflix country report – Taiwan Global Internet Television Consortium (単著) 2017/03 |
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6. |
論文 |
Television’s changing role in social togetherness in the personalized online consumption of foreign TV. New Media & Society 18(8),pp.1547-1562 (単著) 2016/09 |
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7. |
論文 |
Performativity The international encyclopedia of communication theory and philosophy (単著) 2016/10 |
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8. |
著書 |
哆啦A夢收藏大集合 (単著) 2002/12 |
言語種別 | 中国語 | 発行・発表の年月 | 2002/12 | 形態種別 | 単行本(一般書) | 標題 | 哆啦A夢收藏大集合 | 執筆形態 | 単著 | 掲載区分 | 国外 | 出版社・発行元 | 城邦集團果實出版社 | |
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5件表示
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全件表示(8件)
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■ 学会発表
1. |
2024/06/19 |
Locating audiences in the age of streaming: What have changed, and what have not?(Reviving Qualitative Audience Research for the Streaming Era, the Pre-conference of International Communication Association) |
発表年月日 | 2024/06/19 | 発表テーマ | Locating audiences in the age of streaming: What have changed, and what have not? | 会議名 | Reviving Qualitative Audience Research for the Streaming Era, the Pre-conference of International Communication Association | 学会区分 | 研究会・シンポジウム等 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | 国名 | オーストラリア | 開催地名 | Gold Coast | 開催期間 | 2024/06/19~2024/06/19 | |
2. |
2023/11/02 |
Understanding the ecology of Japanese television in the age of streaming(International Symposium Platforms and Uses) |
発表年月日 | 2023/11/02 | 発表テーマ | Understanding the ecology of Japanese television in the age of streaming | 会議名 | International Symposium Platforms and Uses | 学会区分 | 国際学会 | 発表形式 | 口頭(招待・特別) | 単独共同区分 | 単独 | 国名 | カナダ | 開催地名 | Montreal | 開催期間 | 2024/11/02~2024/11/04 | |
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2023/07/01 |
Discussant for the Panel Mass Media, Health Management and Gender Politics(Asian Studies Conference) |
発表年月日 | 2023/07/01 | 発表テーマ | Discussant for the Panel Mass Media, Health Management and Gender Politics | 会議名 | Asian Studies Conference | 学会区分 | 国際学会 | 発表形式 | シンポジウム・ワークショップ パネル(指名) | 単独共同区分 | 単独 | 国名 | 日本 | |
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2023/01/10 |
Discussant at the Media Boundaries Workshop, Ritsumenkan University |
発表年月日 | 2023/01/10 | 発表テーマ | Discussant at the Media Boundaries Workshop, Ritsumenkan University | 学会区分 | 研究会・シンポジウム等 | 発表形式 | シンポジウム・ワークショップ パネル(指名) | 単独共同区分 | 単独 | |
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2022/12/02 |
What do “watching television” and “terebi banare” mean in Japan in the age of streaming?(The Global Streaming Workshop) |
発表年月日 | 2022/12/02 | 発表テーマ | What do “watching television” and “terebi banare” mean in Japan in the age of streaming? | 会議名 | The Global Streaming Workshop | 主催者 | Queensland University of Technology | 学会区分 | 研究会・シンポジウム等 | 発表形式 | 口頭(招待・特別) | 単独共同区分 | 単独 | 国名 | オーストラリア | 開催地名 | Brisbane | |
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2021/09/09 |
Live piracy: Television and liveness in the age of on-demand.(The 8th European Communication Conference) |
発表年月日 | 2021/09/09 | 発表テーマ | Live piracy: Television and liveness in the age of on-demand. | 会議名 | The 8th European Communication Conference | 学会区分 | 国際学会 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | 国名 | ポルトガル | 開催地名 | Online | 開催期間 | 2021/09/06~2021/09/09 | |
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2019/06/02 |
Streaming television markets as the material basis for “East Asian sensibilities”?(Cultural Typhoon 2019) |
発表年月日 | 2019/06/02 | 発表テーマ | Streaming television markets as the material basis for “East Asian sensibilities”? | 会議名 | Cultural Typhoon 2019 | 主催者 | Association of Cultural Typhoon | 学会区分 | 国際学会 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | 国名 | 日本 | 開催地名 | Tokyo | |
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2019/04/26 |
Netflix, datafication, and audience agency(The 7th Meeting of the Research Institute for Media, Communications, Culture, and Society) |
発表年月日 | 2019/04/26 | 発表テーマ | Netflix, datafication, and audience agency | 会議名 | The 7th Meeting of the Research Institute for Media, Communications, Culture, and Society | 学会区分 | 研究会・シンポジウム等 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | 国名 | スウェーデン | |
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2018/11/01 |
Personalized for whom? Netflix, recommendation system, and audience agency in the age of #algorithmeverywhere.(The 7th European Communication Conference) |
発表年月日 | 2018/11/01 | 発表テーマ | Personalized for whom? Netflix, recommendation system, and audience agency in the age of #algorithmeverywhere. | 会議名 | The 7th European Communication Conference | 学会区分 | 国際学会 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | |
10. |
2017/05/08 |
“Recommending for the World”: Netflix and data-driven collectivities in the post-network era.(The 5th Meeting of the Research Institute for Media, Communications, Culture, and Society) |
発表年月日 | 2017/05/08 | 発表テーマ | “Recommending for the World”: Netflix and data-driven collectivities in the post-network era. | 会議名 | The 5th Meeting of the Research Institute for Media, Communications, Culture, and Society | 学会区分 | 研究会・シンポジウム等 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | 国名 | ポルトガル | 開催地名 | Lisbon | |
11. |
2016/11/09 |
We hear you: Social media and celebrity-driven social change?(The 6th European Communication Conference) |
発表年月日 | 2016/11/09 | 発表テーマ | We hear you: Social media and celebrity-driven social change? | 会議名 | The 6th European Communication Conference | 学会区分 | 国際学会 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | |
12. |
2016/05/03 |
Why we use VPN: Netflix and the imagination of a “global Internet TV network”.(Media Engagement International Symposium) |
発表年月日 | 2016/05/03 | 発表テーマ | Why we use VPN: Netflix and the imagination of a “global Internet TV network”. | 会議名 | Media Engagement International Symposium | 学会区分 | 研究会・シンポジウム等 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | |
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2015/05/07 |
Social media and their shaping of celebrity-fan relationship. (The 3rd Meeting of the Research Institute for Media, Communications, Culture, and Society) |
発表年月日 | 2015/05/07 | 発表テーマ | Social media and their shaping of celebrity-fan relationship. | 会議名 | The 3rd Meeting of the Research Institute for Media, Communications, Culture, and Society | 学会区分 | 研究会・シンポジウム等 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | 国名 | イギリス | 開催地名 | London | |
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2014/07/04 |
Transnational politics behind legal infrastructures of illegal online consumption of foreign TV(Crossroads 2014) |
発表年月日 | 2014/07/04 | 発表テーマ | Transnational politics behind legal infrastructures of illegal online consumption of foreign TV | 会議名 | Crossroads 2014 | 学会区分 | 国際学会 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | 国名 | フィンランド | 開催地名 | Tampere | |
15. |
2014/05/08 |
Why TV ratings in foreign countries matter to us: Finding coevalness via online viewing.(The 64th Annual Meeting of the International Communication Association) |
発表年月日 | 2014/05/08 | 発表テーマ | Why TV ratings in foreign countries matter to us: Finding coevalness via online viewing. | 会議名 | The 64th Annual Meeting of the International Communication Association | 学会区分 | 国際学会 | 発表形式 | 口頭(一般) | 単独共同区分 | 単独 | 国名 | アメリカ合衆国 | 開催地名 | Seattle | |
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全件表示(15件)
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■ 所属学会
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■ 資格・免許
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■ 受賞学術賞
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■ 研究課題・受託研究・科研費
1. |
2025/04~2026/03
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A Comparative Study of NHK and the BBC’s Adoption of Internet Distribution: Implications for NHK’s Role as a Public Broadcaster in the Streaming Era その他の補助金・助成金 (キーワード:NHK, BBC, Public Broadcasting Media, Internet Distribution) |
研究期間 | 2025/04~2026/03 | 研究課題 | A Comparative Study of NHK and the BBC’s Adoption of Internet Distribution: Implications for NHK’s Role as a Public Broadcaster in the Streaming Era | 実施形態 | その他の補助金・助成金 | 研究委託元等の名称 | THE HOSO BUNKA FOUNDATION | キーワード | NHK, BBC, Public Broadcasting Media, Internet Distribution | 代表分担区分 | 研究代表者 | 研究者・共同研究者 | Yu-Kei Tse | 代表者 | Yu-Kei Tse | 概要 | This research investigates how NHK has adopted internet distribution and redefined its role as a public service broadcaster, by comparing its development with the BBC—the model upon which NHK was initially based. The comparison focuses on 1) NHK On-Demand and NHK Plus versus the BBC’s iPlayer, and 2) policy debates on funding models and missions of public broadcasting in Japan and the UK. This study serves two purposes. First, it examines the BBC model’s implications for NHK’s ongoing transformation, highlighting the challenges NHK faces in maintaining its public service ethos and universal accessibility as its internet services become mandatory operations (hissu gyōmu). Second, it broadens Western-centric debates about future roles of public service media in democratic societies. | |
2. |
2019/04~2024/03
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Subscription video-on-demand in Japan and East Asia: Its impact on national and transnational production and distribution of media content Grant-in-Aid for Scientific Research C |
研究期間 | 2019/04~2024/03 | 研究課題 | Subscription video-on-demand in Japan and East Asia: Its impact on national and transnational production and distribution of media content | 実施形態 | 科学研究費補助金 | 研究委託元等の名称 | Japan Society of the Promotion Science | 研究種目名 | Grant-in-Aid for Scientific Research C | 課題番号 | 19K02055 | 代表分担区分 | 研究分担者 | 代表者 | Prof. Shinji Oyama, Ritsumeikan University | |
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