(Last updated : 2020-12-07 18:14:54)
  SATO, Nozomi

   Professor

   Division of Arts and Sciences, College of Liberal Arts, International Christian University
■ Academic Background
1. 1992/04~1996/03 〔Doctoral course〕 (Music History), Division of Music, Tokyo National University of Fine Arts and Music, Graduate School, Doctorate Course, Completed,
2. 1988/04~1992/03 〔Master degree program〕 Music History, Division of Music, Tokyo National University of Fine Arts and Music, Graduate School, M.A. Course, Completed,
3. 1984/04~1988/03 Faculty of Music, Tokyo National University of Fine Arts and Music, Graduated,
■ #Professional Background
1. 2019/04~ Research Center for the Liberal Arts, Keio University
2. 2007/04~2019/03 Professor, Keio University
3. 2018/04~2019/03 Department of Comparative Arts, Aoyama Gakuin University
4. 2016/03~2017/02 Visiting Professor, School of Music, University of British Columbia
5. 2002/04~2007/03 Associate Professor, Keio University Faculty of Business and Commerce, Department of Business and Commerce
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■ #Present Specialized Fields
Aesthetics and art studies, Education, Religious studies 
■ #Books and Articles
1. Article Bach and Japan: A Short Reception History  pp.238-240 (Single) 2019/07
2. Article Sacred and Secular Music in the Church: What Can We Learn from Baroque Era Liturgy and Music 182(Summer),pp.14-18 (Single) 2019/07
3. Book Early History of of Church Concert: A Comparison of its Historical and Philosophical Background with Comtemporary Japanese Church Liturgy and Music  (Single) 2018/07
4. Book (“1. Luther’s Reformation and Protestant School Education”, “2. The Dawn of Protestant Music Theology”, “3. Image of Haven and Music in the Lutheran Theology”, “4. ‘Arousal of the Inwardness’ Caused by Reformation and Music”, “5. How did the People of Bach’s Time Celebrated Reformation Day?”, series columns for program book, Bach Collegium Japan, Luther 500 Project Concert Series, 2015.6 – 2017.10)   (Single) 2015/06
5. Article "Theologische Disputationen über Kirchenmusik und die darauf bezogenen Reaktionen der Musiktheorie im protestantischen Deutschland zwischen 1650 und 1750."   (Single) 2014
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■ #Academic Conference Presentation
1. 2019/07/09 Are the Four Duettos in Johann Sebastian Bach’s Clavier-Übung III (BWV 802–805) a Refutation of Theological Accusations? (International Symposium "Agency and Identity in Music" in Lucerne)
2. 2018/01/13 “How was Organ Music “theologically” interpret?: A Narrow Pass between Disputes and Art Criticisms in Bach’s Time”, Japan Organ Society, Regular meeting January 2018, Asagaya Church Tokyo, 2017.1.13.
3. 2017/02/03 An Attempt to Understand the Theological-Ontological Hermeneutics of J.S. Bach's Clavier-Übung III (University of British Columbia, School of Music, Graduate Colloquium Series)
4. 2013/11/02 「17~18世紀転換期ドイツにおける神学と音楽 ― 内面性の覚醒と教会音楽の劇場化」(口頭発表) (ラウンドテーブル「17〜18世紀ヨーロッパの転換期における宗教と劇音楽 ―ドイツ、フランス、イタリアの比較から見えて来るもの」、日本音楽学会第64回全国大会(三田大会))
5. 2012/12/09 Wie hat man zur Zeit Bachs die Kirchenmusik gehört? ---Eine Skizze der Auseinandersetzungen in den Predigten, theologischen, und musiktheoretischen Schriften (Ringvorlesung „Musik und Geschichte˝: Symposiums-Wochenende Zu Ehren von Werner Breig)
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■ #Lectures
1. 2019/05/31 Music and Liberal Arts ― Music as Vertical Axis and Horizontal Axis in Human Life (International Christian University)
2. 2019/05/27 „Deine Zauber binden - Is Music an universal Language?“ Link
■ #Academic Society Memberships
1. Musicological Society of Japan
2. International Musicological Society, Director-at-large
■ #Research Topics, Funded Research, and Grants-in-Aid for Scientific Research
1. 2006/04~2009/03  Theological Disputation on Church Music in the Protestant Germany of Barock Era  (Key Word : )
■ #Exhibitions, Concerts and Athletic Meets
1. 2019/03/08 Early Music Vancouver, Collaboration Concert with UBC Early Music and Keio University; Dieterich Buxtehude: Mmbra Jesu Nostri and German Master Pieces; Alexander Weimann, music director; Nozomi Sato (choir master and organ); Sinéad White; Jane Long; Debi (Christ Church Cathedral, Vancouver, Canada)
2. 2018/02/06 George Frideic Handel: Messiah, HWV 56, Keio Collegium Musicum, Academy Vocal Ensemble, conductor Nozomi Sato, Keio University Hiyoshi Campus Kyoseikan Music Hall , Yokohama
3. 2017/10/29 Church Concert commemorating 500th Anniversary of Reformation, J Pachelbel: Magnificat, Johann Sebastian Bach: Lobet den Herrn (BWV 230), Heinrich Schütz: Ich liege und schlafe, etc. Organizer, Lecture and Organ (basso continuo): Nozomi Sato, Soprano: Koy
4. 2015/02/07~2015/02/08 Memorial Concert for the Victims of 3.11 Earthquake and Tsunami Desaster, Songs of Miyazawa Kenji and Akira Miyoshi: Ballades to the Earth for Mixed Choir, Keio University Collegium, Academy Vocal Ensemble, conductor: Nozomi Sato, Nahan Plaza, Hanamaki (F
5. 2016/10/11 Heinrich Schütz: Magnificat, selected pieces from Symphoniae Sacrae III, Keio University Collegium Academy Vocal Ensembre and Ensemble Milim, conductors: Nozomi Sato and Takuya Nemoto,; Keio University Hiyoshi Campus Kyoseikan Music Hall, Yokohama
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